Randy Walker’s wrapped and woven three-dimensional spaces are vibrant, tenuous, and audacious.  Simple strands of fiber become a complex nexus of color and form as the artist fills and defines sculptural volumes.  Like a spider in search of a suitable site to build its web, Walker first seeks out frameworks to serve as looms.  These “armatures,” as the artist refers to them, are often mundane, found objects such as saws and metal mesh that possess their own inherent logic.  Walker responds to these idiosyncrasies by regularly inventing techniques for working.  The repetition of action over hours and days and weeks records both the passage of time and movement in space.