Q & A with Keren Kroul – Unquiet Territories


Keren Kroul in her studio


When did you begin working with watercolor?

I began working with watercolor as a primary medium 15 years ago. I was pregnant with my first child, and I wanted to keep working consistently without the use of toxic materials and fumes. Before this I had painted with oil paints on canvas. Continue reading “Q & A with Keren Kroul – Unquiet Territories”

Unquiet Territories – Exhibition Essay by Christina Schmid


Watercolor by artist Keren Kroul

Unquiet Territories by Keren Kroul

Exhibition Essay by Christina Schmid

Christina Schmid thinks with art and writes as critical practice. Her essays and reviews have been published both online and in print, in anthologies, journals, artist books, exhibition catalogs, and digital platforms. She works at the University of Minnesota’s Department of Art in Minneapolis, where she gets to talk about art and theory for a living. Her teaching focuses on contemporary art, mixed with critical theories, framed by cross-cultural currents and driven, always, by deep curiosity.

Eileen Cohen – Artist Statement

Ceramic Tiles

Artist Statement


For the Frill of It

As a ceramic artist, I am committed to exploring clay as an expressive material. Its tactile quality, rich history, and utilitarian, sculptural, and decorative applications continually inspire me. For the Frill of It references clay roof tiles, a practical springboard to make something impractical — ruffled tiles.

This project began as a daydream over a year ago. I imagined myself very small and standing under a giant ballerina’s tutu. Surrounded and enveloped by her tutu, I was swept by the beauty of her skirt. It wasn’t until I revisited this daydream that I began to recognize the strength, power, and grace of the ballerina. Continue reading “Eileen Cohen – Artist Statement”

Q & A with Eileen Cohen – For the Frill of It

Where did you find the inspiration for this project?

A few ideas played into the conception of this piece. I knew I wanted to use the wall and create work with a strong visual impact. I was thinking about fabric moving on or off the wall, about molding and how it is used to hide or conceal seams and dress up a space, and about ruffles and tutus. Further, the connection to ceramics as a material and its history was an important factor and consideration. The work references roof tiles and makes a connection back to clay as a humble material, one with function and purpose. I questioned the purpose of making ruffled tiles to make a pretty wall and the value of doing it, For the Frill of It, so to speak. The journey has been invaluable and full of unexpected lessons. Continue reading “Q & A with Eileen Cohen – For the Frill of It”