Kimberlee Joy Roth – Artist Statement & Bio

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Artist Statement

A marriage of embellishment and utilitarian object is the inspiration behind my oeuvre: that is to create utilitarian non-traditionally shaped ceramic serving platters that maintain a curvilinear edge throughout the form and which reference historical decorative motifs. Today’s contemporary ceramics include figurative forms and abstract sculpture, utilitarian ware and architectural and decorative tile. My work is wall sculpture that is still functional; it can be used to also contain and serve food. I see it as a bridge between decorative tile and utilitarian ware and as a vehicle for beginning a communication between these two disparate uses of the same material.

Bio

Kimberlee Joy Roth graduated from the University of Minnesota – Twin Cities with an MFA in Ceramics and an Art History minor in 2007. Her fall 2012 solo exhibition at St. Catherine University’s Catherine G. Murphy Gallery in St. Paul, MN raised $1,143 for The Algalita Marine Research Institute in Long Beach, California.

She is a 2013 McKnight Artist Fellow in Ceramics and a Fiscal Year 2016 and 2011 recipient of an Artist Initiative Grant from the Minnesota State Arts Board. Her ceramic work is in the permanent collection of the Frederick R. Weisman Art Museum in Minneapolis, MN, Mayo Clinic Rochester, Rochester, Minnesota, 71 France Apartments, Edina, Minnesota and the Lincoln Arts and Culture Foundation in Lincoln, California. Her work has been shown nationally in juried ceramic exhibitions.

She maintains a studio in the Northeast Arts District of Minneapolis and is the Technician for the Art and Art History Department and The Catherine G. Murphy Gallery at St. Catherine University.

 

UNQUIET TERRITORIES by Keren Kroul

Kroul

Unquiet Territories
Keren Kroul

November 7 – December 20, 2016

Reception: November 11, 6 – 8 p.m. – Christensen Center Art Gallery

Working on paper, painting with watercolor or cutting with a knife, Kroul creates dense organic formations from small shapes and patterns. Inspired by memories, neural pathways and natural elements, these map-like rhythmic structures are landscapes of the mind.

 

TERRA FIRMA by Megan Vossler

Vossler Postcard Image

TErra Firma
Megan Vossler

August 29 – October 27, 2016
Reception: September 16, 6-8 p.m.

In this exhibition of new drawings and sculpture, Vossler reflects on the narrative of Dante’s Inferno, specifically exploring how the metaphor of water functions as both a connective element and a source of danger.

Gage Family Art Gallery

 

Artist statement: Dante’s epic poem Inferno is an allegorical account of the weight of human transgression, and its complex metaphorical richness has enduring resonance. Nine “circles” of hell are described, each corresponding with sins of escalating consequence. In Dante’s story, the circles occupy distinct physical terrain, and the landscape itself is presented as vividly as the human and mythical characters are. Physical forces—the effects of rain, wind, and sleet, the perilous nature of mud and ice, and the pull of gravity—all become part of the narrative. Water, especially, functions as both a connective element and a source of mortal danger, exemplified by the treacherous swamps, marshes and depths of the river Styx. My work in Terra Firma explores these metaphors and dissonances through a contemporary lens.

Bio: Megan Vossler received her BA from Brown University and her MFA from the Minneapolis College of Art and Design. Her work has been exhibited nationwide, including shows at the Minneapolis Institute of Art and the de Young Museum in San Francisco. Megan has been a recipient of several prestigious awards, including a Jerome Foundation Fellowship for Emerging Artists, a McKnight Artists Fellowship for Visual Artists, a Jerome Foundation Travel and Study grant, and two Minnesota State Arts Board Artist Initiative Grants. She currently serves on the curatorial panel at Soo Visual Arts Center, and teaches drawing at Macalester College.

WHAT WE HAVE TO LOSE by Kimberlee Joy Roth

Roth

WHAT WE HAVE TO LOSE
Kimberlee Joy Roth

August 29 – October 27, 2016
Reception: September 16, 6-8 p.m.

Christensen Center Art Gallery

In What We Have to Lose, Roth’s tessellated wall installation romanticizes the flora and very small fauna found in meticulously manicured gardens. Concerned with water availability and quality, pesticide use and the earth’s ecosystem, this large installation is Roth’s second solo exhibition to address awareness to the importance of unpolluted water.

Kimberlee Joy Roth is a fiscal year 2016 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.

Artist Statement & Bio

ONE LINE by Emily C. K. Hoisington

Hoisington

ONE LINE
Emily C. K. Hoisington

May 12 – August 7, 2016

In her “One Line” body of works, Emily C. K. Hoisington uses continuous lines to show encounters between a person and their environment. By using parts of the same line to show, for example, both the contour of a finger and the texture it is touching, the subject and object become connected.

Frozen Music by Anna Boyer Bredeson

Bredeson Image

FROZEN MUSIC
Anna Boyer Bredeson

May 12 – August 7, 2016

Bredeson explores the relationship between musical notation and heard vocal song through thread installations that act as visual interpretations of a choral piece. Loosely based on traditional bookbinding stitches, these thread drawings are based on the written score as well as the composer’s conceptual ideas.