The Star Tribune included Augsburg College’s production of “Peer Gynt,” which runs April 10 through 13 at the Minnesota Landscape Arboretum, in its “Stage Spot” news column. The play marks the first time that the College has partnered with the University of Minnesota to deliver an innovative production that breaks rules and boundaries. Read more on the Star Tribune’s website.
A first-ever collaboration between the theater departments of Augsburg College and the University of Minnesota on a production of Henrik Ibsen’s “Peer Gynt” received news coverage in MinnPost. The ground-breaking production will take theatergoers on a fantastic voyage that includes oversized birds and trolls, original music and simultaneous scenes, all while attendees and performers travel a quarter-mile portion of the University of Minnesota Landscape Arboretum. Read the full column on the MinnPost website.
Augsburg theater arts instructor Dean Seal recently was featured in a Star Tribune article on FORGIVENESS 360, a symposium of theater, spoken word and films. Seal is the executive director of Spirit in the House, a nonprofit organization that uses performing arts to explore spiritual issues.Read how Seal is advancing the “forgiveness movement” on the Star Tribune website.
The opening this week of Sweet Maladies by Zakiyyah Alexander represents four years of work by the Augsburg College Theater Department to diversify its program and to attract more diverse and often underrepresented voices to the theater.
The department has made changes to its curriculum, welcomed local directors and new faculty, and undertaken projects as “a way to welcome more students with different kinds of cultural backgrounds to participate,” said Department Chair Darcey Engen.
One thing that hasn’t changed, however, is the Department’s commitment to excellence. Continue reading
Backstage magazine’s 2012 Fall College Guide listed Augsburg College among the top five U.S. institutions for theater majors who wish to continue their studies professionally.
“In our Theater Department, students connect with professional artists in the city while they delve into their theater courses,” said Darcey Engen, Augsburg College associate professor and chair of Theater Arts.
“We find that the combination of the department’s rigorous curriculum, exposure to outstanding professionals in the field, and mentorship with theater faculty prepare our students to graduate as complex, deeply committed artists who can apply their insights and skills to any occupation.”
The cast of The Titanic Orchestra didn’t know Barbra Berlovitz, an icon in the Twin Cities theater scene, before they auditioned for the play she is guest directing at Augsburg this spring. None of the students had attended a production at the Tony award-winning Theatre de la Jeune Lune, where Berlovitz was the co-artistic director for 25 years. But the entire cast agrees that working with her has been a valuable experience in their development as actors.
Justin Caron, a junior theater major, said Berlovitz is a master at bringing out an actor’s unique talents. “She’s good at getting people to make new discoveries without telling them exactly what to do and working with the talent we have and trying to make that come out,” Caron said. Continue reading
By Wendi Wheeler ’06
Imagine writing one play every day for a year. Also imagine the challenges presented to 14 actors each playing several roles in 54 plays presented in one evening. That is the task of the cast of Suzan-Lori Parks’ 365 Days/365 Plays, directed by Augsburg theater professor Martha Johnson.
In the fall of 2002, Pulitzer-prize winning playwright Suzan-Lori Parks decided to take on the challenge of writing one play a day for a full year. 365 Days/365 Plays is the successful result, featuring 365 short plays exploring such divergent topics as sex, war, fairy tales, Indian mythology, American historical figures, love, politics, race, contemporary celebrities—and numerous other issues from American life. Continue reading
By Wendi Wheeler ’06
Walk past the student lounge in Christensen Center on any given afternoon, and it becomes clear that Asian American students make up a sizeable portion of the Augsburg student body. The lounge is a popular hangout for students—a place for them to study, relax, and connect with each other.
To hear some stories of Asian American students at Augsburg, attend the Augsburg Theater Department production of Inside Out. In collaboration with Mu Performing Arts and Pan Asian Student Services, Augsburg will present Inside Out Nov. 18-20.
Inside Out was created and is directed by Rick Shiomi, artistic director of Mu Performing Arts of St. Paul, Minn. The project began when Shiomi interviewed several Asian American students at Augsburg. Based on the interviews, Shiomi developed a series of short scenes that reflect their experiences. The performance also includes additional scenes created by students. Continue reading
Last weekend the Augsburg Theatre Department opened its 09-10 season with Anton Chekhov’s The Three Sisters, a drama that expresses Chekhov’s longing for Moscow (he was in Yalta at the time) and for his wife, Olga, who he left behind.
Here Kat Lutze [right], a sophomore majoring in arts administration with a specialization in theatre, discusses her experience playing Olga, the oldest of the three sisters. Lutze is joined by junior Shannon O’Brien [left] who plays Maria and sophomore Abbey Ehling [center] who plays Irina. Continue reading
Having the opportunity to work with a professional theater company before you’ve even graduated from college is something you don’t think twice about. Unless you’re me.
By having two internships with two vastly different Minneapolis theater companies, Open Eye Figure Theatre and the Jungle Theater, I was given a unique chance to study what lies ahead while I was still studying for finals.
Traveling around the Twin Cities in an old white van crammed to capacity with puppets is precisely what I never dreamed I’d be doing. Well, maybe in a dream, but not consciously. Continue reading