Stacey is a theatrical costume and scenic designer who specializes in musicals, children\u2019s productions, and educational theater.\u00a0 Her passion is collaborating with artists and creating work that has the capability of initiating positive change.\u00a0 With each production, she is dedicated to digging deep into the symbolism of the play and finding ways to incorporate the text into her design work.<\/p>\n
As a freelance artist, Stacey\u2019s work has been seen on the stages of Journey North Opera Company, Lakeshore Players, Theater Mu, Guthrie Theater, Daleko Arts, Stepppingstone Theatre, Eat Street Players, Stages Theatre, Anoka Ramsey Community College, and the University of Minnesota.\u00a0 She also was an environmental designer for the Haunted Basement\u2019s 2019 season at Rosedale Mall which included the rooms \u201cPlague\/Conservatory\u201d and \u201cGame Room\/Study\u201d.\u00a0 Stacey worked as the Resident Costume Designer at Stages Theatre Company from 2011-2016 and designed productions such as \u201cJames and the Giant Peach\u201d and \u201cOne Dog Canoe\u201d.\u00a0 She especially enjoys designing their summer productions for \u201cTheater for the Very Young\u201d which introduces children under the age of 5 to theater for the first time.<\/p>\n
In addition to designing, Stacey teaches college courses in technical theater, introduction to theater design, and costume design.<\/p>\n
Bachelors of Science (B.S) in Clothing Design with a minor in Theatre Arts –\u00a0 University of Minnesota (College of Design)
\nMasters of Fine Arts (MFA) in Costume and Scenic Design with a minor in Theatre Historiography – University of Minnesota (College of Liberal Arts)<\/p>\n","protected":false},"excerpt":{"rendered":"
Stacey is a theatrical costume and scenic designer who specializes in musicals, children\u2019s productions, and educational theater.\u00a0 Her passion is collaborating with artists and creating work that has the capability of initiating positive change.\u00a0 With each production, she is dedicated to digging deep into the symbolism of the play and finding ways to incorporate the …<\/p>\n","protected":false},"author":471,"featured_media":48927,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-48926","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/pages\/48926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/users\/471"}],"replies":[{"embeddable":true,"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/comments?post=48926"}],"version-history":[{"count":2,"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/pages\/48926\/revisions"}],"predecessor-version":[{"id":48929,"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/pages\/48926\/revisions\/48929"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/media\/48927"}],"wp:attachment":[{"href":"https:\/\/www.augsburg.edu\/faculty\/wp-json\/wp\/v2\/media?parent=48926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}