ADAM WHITE

SORTA LIKE CONVERATION – ADAM WHITE

November 1 – December 14, 2018 – Christensen Gallery

Reception: Thursday, November 1, 6-8 p.m


Adam White’s installation work uses altered comic book story narrative, by way of dialogue bubbles, to represent the wave of information we constantly process from day to day. Thrown out of context by removing the comic imagery, the remaining dialogue can only hint at a larger story, unable to provide the full narrative.

 

Bio

Adam White is an artist living and working in St. Paul, Minnesota. In 2007 he received a Master of Fine Art with a focus on Installation and Paper Sculpture from the University of Maryland, College Park, and in 2004 a Bachelor of Fine Art in Painting and Drawing from the University of Tennessee at Chattanooga. He has exhibited work in Minneapolis/St. Paul, Detroit, Philadelphia, Baltimore, Washington DC, and New York City.

His current studio work uses altered comic book story narrative, by way of dialogue bubbles, to represent the wave of news or personal information we constantly process from day to day. Thrown out of context by removing the comic imagery, the remaining dialogue can only hint at a larger story, unable to provide the full narrative. The work, composed of thousands of overlaid paper word bubbles, varies between medium to large scale wall installations.

CHRIS WILLCOX

NEW WORKS

November 1 – December 14, 2018 – Gage Family Art Gallery

Reception: Thursday November 1, 6-8 p.m.


Bio

Canadian painter Chris Willcox was born and raised in Toronto, Ontario. She earned degrees from the Ontario College of Art and Design and the University of Guelph. She earned her MFA from Mason Gross School of the Arts, Rutgers University, in New Jersey. She moved to the Twin Cities in 2000 to accept a position at Macalester College in St. Paul, where she is a tenured professor in the Art and Art History department. Her work has been shown at galleries in the U.S. and Canada, with her most recent being at the MAEP galleries at the Minneapolis Institute of Arts and the Phipps Center for the Arts. She is the recipient of numerous grants, including Canada Council and Ontario Arts Council Grants, and most recently in 2013-14, a George and Eliza Gardner Howard Foundation Fellowship in Painting and a Minnesota State Arts Board Grant.

 

MARGERY AMDUR

UNDER COVER by Margery Amdur

September 4 – October 18, 2018

Christensen Center & Gage Family Art Gallery


Artist Talk: Monday, October 15, 12:30 p.m.

Adeline Johnson Conference Center

 

Creative Process Panel Discussion:

Wednesday, October 17, 6:30 p.m. Auditorium 150, MCAD


Artist Statement

As an artist, I traverse multiple disciplines and my art does not fit easily into categories.  I have worked for much of my career with landscape and personal typographies as metaphors for cultivating visual tensions where issues of abstraction and representation intersect. If one of the jobs of representation is to show how the world looks, abstraction is free to reflect our sense of what matters in the world.

 

I was trained as an abstract painter; but my work rarely resides within a two-dimensional picture plane.  I use unorthodox materials to build form and mass in ways that include extravagant and ornate surfaces. Additionally, I utilize the installation format as a way to navigate what once existed as a large divide between Painting and Sculpture.  Within this context many of the handcrafted elements can be manipulated to permit recycling and revitalization of older ideas, and can also be tailored to more than one location. I believe that when an artist chooses the installation format as their primary form of expression the relationship between the artist and the viewer/audience, becomes more actively engaged and a richer dialogue inevitably ensues.

 

In the past two years I have produced work that continues to reveal the importance of my hand as a primary tool, and has primarily been oriented for gallery and museum settings. Cosmetic sponges have become my building blocks. By manipulating commercially produced “make-up” sponges I have created formations inspired by natural and architectural geometry.  Luscious and voluptuous constructions have been inspired by “living walls,” basalt formations, and aerial views of sprawling urban metropolises. I build  “poetic moments” that become densely layered and eventually monumental. At the core, my constructions probe an array of paradoxes— organic and inorganic matter, machine manufacturing and handcrafting, permanence and impermanence, beauty and deterioration.

 

Bio

Originally from Pittsburgh, Margery Amdur received her B.F.A. from Carnegie-Mellon University and her M.F.A. from the University of Wisconsin in Madison. Margery has had over 60 solo and two-person exhibitions. Her international exhibitions include Turkey, Hungary, Poland, England, Iceland, Latvia, and Suriname.

She has been reviewed in national and international publications including Sculpture MagazineNew American PaintingsFiber ArtsNew Art Examinerand Art Papers. In 2014, her work was on the cover of ArtVoices, and will soon be in a third edition of the Manifest International Publications.


For over twenty years, Margery has been actively creating site-specific, indoor and outdoor temporary and permanent art installations. In 2012, she completed Walking on Sunshine, a permanent public art project, in the Spring Garden underground-subway station, Philadelphia, PA. In the fall of 2015, as part of the Art in Airport Program, Margery created My Nature, a mixed-media, and site-specific installation in Terminal B, at the Philadelphia International Airport. As part of her six-week residency at Central European University, Budapest, Hungary, she and a group of students created Inside/Out, an installation in the interior of one of elevators on CEU campus. In 2016 and 2017 the US Embassy selected Amass #16 to be installed in the US Ambassador’s Residence, in Riga, Latvia. Amass #17 was permanently installed in the newly completed US Embassy Headquarters in Paramaribo, Suriname.

Spring 2018 should prove to be a dynamic and productive period. Margery will be exhibiting her work in Material Slip, an international exhibition at the University of Hawaii. In April, she returns to Riga, Latvia as artist in residence at the University of Art and Design. In addition, she currently has an installation in Riga’s Sixth International Textile Fiber Triennial at the Museum of Applied Arts and Exhibition Hall Arsenals. As the recipient of the Jerry Shore Fellowship Margery will spent the month of May at the Vermont Studio Center. Fall of 2018, She will be exhibiting a new installation, in the Gage ad Christensen Center Gallery at Augsburg University, Minneapolis MN.

 

margeryamdur.com


 

THE ILLUSION OF LIFE by KOLE STILLWELL

APRIl 9 – 19, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, April 19, 5:30 – 7 p.m. Christensen Center Student Art Gallery

The Illusion of life mixes acrylic paint with digital art, analyzing how storytelling can be the means to better understanding the human condition.

Statement

Famed director, illustrator, animator Hayao Miyazaki suggests ( in the article The idea-the origin of everything) that a story doesn’t truly start with a story being made, it begins with the experiences we have stored up in our lives. “ The stories and original work- even initial project planning-are only triggers.Inspired by that trigger, what rushes forth from inside you is the world you have already drawn inside yourself, the many landscapes you have stored up, the thoughts and feelings that seek expression.”

Kohba merges digital illustration and design to express the emotions that defined the estrangement from my father. The story follows Kohba, A young wolf cub, who in the midst of being deserted by his father, must decide if he will fall into anger or accept the reality of what has come to be. Dealing with themes of abandonment, anger and regret, this body of work uses, color, landscape and character to explore the flaws of the human condition while also showing storytellings significance as a form of expression and communication in society.


DESIRE TO EXPLORE by KEEYONNA FOX

MARCH 26 – APRIL 5, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, April 5, 5:30 – 7 p.m. Christensen Center Student Art Gallery

Desire to Explore is a series of digital collages that invite the viewer to examine daily busyness. By exploring regular routine, Fox asks if there is more to life than the schedules we create.

Statement

Through reflection and making these pieces, I began to see the routine of life that can put restrictions on new experiences. Exploration starts a journey one may take to an unfamiliar place or a familiar place they have been but didn’t explore and learn from those experiences. The range of ideas flows naturally based on past and present events. These events are created by cultural knowledge of what is going on in today’s society or what has happen in the past.  As I began preparing for this show, I came up with so many ideas that they could not all be expressed in one show. I didn’t know what I would do or how it was going to happen, but suddenly it hit me like a burst of water hitting my face as I got ready for the day. Everyone has a routine in the morning to start the day. This routine of work, school, social media, and entertainment are what I think of as busywork or distractions for today’s society; it is something we consume regularly. You may not know whom to blame, but it has been regularly becoming more ingrained for decades and will be an ongoing practice that frankly will be hard to break. As I look at my work, I notice my pieces reflect what is happening or what happened in my life whether it was with my own experience or listening and learning from others. This time around, I wanted to change; I wanted to look at what could be possible, to see what we as humanity could do without an institutionalizing society. I desire to explore more.

I have been drawing for as long I can remember. I would even draw my favorite cartoon characters with my little brother. Throughout my life, I have wondered. My wonders became daydreams and my daydreams became reflections. As I get older, these became my art pieces. DESIRE TO EXPLORE has been my favorite wondering. I wondered what life would be like if no one had to work or attend school; what would society look like? What kind of person will I be? Although I know I am hardworking and I do love school and work, I question if there is more? One day knowing I could leave and walk without a location in mind would be a dream come true. As I walk, I would begin an authentic journey learning about today’s society. I would not only learn something new about myself but also about the environment, the human condition, and how everything connects. I feel I would begin a journey connecting with the earth using my senses to explore the universe. I remember as a kid looking at the lines in the blinds. They appeared to be moving or lying on the ground, and, as I looked up into the sky, I began to feel as if I was floating. DESIRE TO EXPLORE is a series of digital collages that reflect my longing to capture my senses and walk into the universe using photography and drawings. However, DESIRE TO EXPLORE isn’t just for me. It questions the sense of reality and if there are multiple realities to explore.  A reality where people might find their true selves and connect to the universe.


HOME SWEET HOME by JENNY WEINREIS

March 4 – 22, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, March 22, 5:30 – 7 p.m. Christensen Center Student Art Gallery

Home Sweet Home is an interactive installation piece that brings together aspects of the past and present to interpret the future of human interaction and communication. Jenny Weinreis uses a variety of mediums, such as needlework, printing, found object, and sculpture to explore the fast-paced, evolving world while staying rooted in the generations that came before.


THE BATTLE WITHIN by MAXWELL PREUS

FEBRUARY 19 – MARCH 1, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, March 1, 5:30 – 7 p.m. Christensen Center Student Art Gallery

The Battle Within is a series of painted and stained wood pallets that portray the artist’s experience with depression. By utilizing sequencing and both the floor and the wall for installation, the work evokes a tonal journey spanning congested darkness to something simpler and calm.

Bio

Maxwell Preus is a current senior at Augsburg University and is twenty-two years old. His senior exhibit delves into themes regarding mental illness and overcoming obstacles. He is interested in portraying the complexities of the human mind and spirit.

Statement

I enjoy sculpting large pieces in clay, typically beginning with a basic idea and then letting the pieces take on a life of their own. I allow the clay to have its freedom because sometimes things shift on you overnight or even break in the kiln. I expect these issues to happen so I don’t let the frustration build but rather try to create something special out of possible imperfections. Kind of like life. Things happen.

This past year I decided to explore another media. Much like the clay, I found an analogy to life in my wood pieces, specifically as to how they developed through my experience with depression. As I began creating projects using wood and paint, I found myself drawn to working with weightier pieces and the emerging images were rather dark. This seemed to coincide with how I was feeling. Upon returning from a semester in Spain, I felt a disturbing sense of hopelessness. Everything in my life was overwhelming. I even considered quitting school as each day was a struggle. Working with heavy materials proved to be centering for me and, figuratively speaking, I could escape what felt like the weight of the world on my shoulders. It was through the creative process that I could peek through the blinders. Gradually the depression lifted and I felt like myself again.

I feel that I went through this difficult time so that I can empathize with those who suffer. I am lucky. I experienced a brief, yet intense, glimpse into the depths of despair that can haunt people for months, years, a lifetime, and I worked to portray this through my art.


images from exhibit

 

BEYOND THE EYES by HANI MIRE

FEBRUARY 19 – MARCH 1, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, March 1, 5:30 – 7 p.m. Christensen Center Student Art Gallery

Beyond The Eyes is a series of photographs documenting three uniquely different African-American women. Inspired by the strong women that surrounded her as she grew up and the cultural intersection of Somali-American, the artist explores the identities that we create and their perspectives on the world around them.

Bio

Hani Mire is a digital illustrator and photographer based in Minneapolis inspired her projects that focus on community. She is currently working on her Beyond the Eyes senior show. She is anticipating her BA in Studio Art from Augsburg University.

Statement

My inspiration comes from my own personal background,especially growing up around strong women and as well as being young a Somali-American who grew up at the intersection of two different cultural viewpoints. Growing up with polar opposite cultures, I’m always finding a way to balance these two different worlds. My identity is an important role that shaped me into who I am as a person today.

Throughout my work, I focus on documenting three uniquely African-American women. I go along on their journey, and I explore my subjects through the lens of a Somali-American woman with a series of portraits and smaller images of each person’s viewpoint. My first subject sees her surroundings, including possessions, to be the most important to her. She brings a glimmer of her artistic upbringing everywhere she calls home. She sees the world through a creative mindset which has always led her to be aware of the world. My second subject uses her makeup sets of foundations and brushes to bring joy into her life. She is motivated to find new ways to be creative but also keep her natural features intact. My third subject finds her faith to be the most important thing in her life. She balances a world of influence with always keeping in mind where she wants to head in life. These three individuals demonstrate not only identity but a statement of being.

I am motivated to continue capturing individuals with complex backgrounds within overlooked communities. I want to show the world not only what they are dealing with in cultures very different from their own but that they are mixing the best of both worlds to make an identity of their own. Each individual uses what they find important to shape their own reality to depict their own understanding of their identity. I’ve followed my three subjects on their journey of finding their own identity, and my goal for this project was to discover how our identity plays a role in our perspective of the world.


images from exhibit