INNOVATIEF MAATSCHAPPIJ: INNOVATIVE SOCIETY
September 26–October 30
Reception: Sept. 26, 5:30–7p.m.
This past summer, twenty-one students and two professors traveled to the Netherlands to explore the question “What makes a society innovative?” Framed through a camera lens and historical thinking, they traced the creative Dutch approaches to agriculture, water management, transportation, and social design.
Gallery 720, Christensen Center
SOOMAAL FELLOWSHIP EXHIBITION – 2019
Xariir – Khadijah Muse
Miel y Petróleo / Honey & Gasoline – Jonathan Herrera Soto
October 24–December 18
This Exhibition is currently Postponed due to Covid-19. It will open when possible.
“as she turned tumors into treasures, she couldn’t help but wonder – do goldfish feel this naked?”– Danielle Krysa
Christensen Gallery: 720 22nd Ave S, Mpls, MN
THIS TALK HAS BEEN RESCHEDULE TILL FALL 2020
“How to Stop Being Creative: Excuses, Doubt, and Other Junk”
Talk with Danielle Krysa
Weisman Art Museum: April 8, 7 p.m.
Reception and book signing following the talk. Books on sale in the WAM Shop. Talk is FREE but reservations required.
Fiona & Leona, Farrah, Fawna & Launa – all of them are feminine, beautiful, and a hot mess.
Eight out of ten women will have to share their bodies with uterine cysts and or fibroids at some point in their lives. I am one of those women. I have spent years battling these ugly lumps that continue to grow inside of me. What to do? Exactly what I did with jealousy when I decided to start my art site, The Jealous Curator – instead of allowing these masses to cause anxiety and upset, I flipped the narrative and have embraced them instead. While I await yet another major surgery, I am choosing to envision them – through portraiture – as beautiful, crystal-covered, pink treasures that I’m currently housing. These abstract portraits are not only made up of paint and found images, but also crystals, random objects from the bottom of jewelry boxes, and piles of vintage costume jewelry. Yes, this will be the most sparkly silver lining possible!
Several of the pieces will be hung in the gallery, with spaces for three more to come. I will be using the gallery as a studio, turning tumors into treasures as people stroll past (or stop to watch) on the other side of the glass. This is the most vulnerable work I’ve done to date, so being in a totally vulnerable situation also seems right. Terrifying, but right.
Danielle Krysa is a Canadian artist with a BFA in Visual Arts and a post-grad degree in design. Her combination of found imagery and carefully manipulated strokes of paint create an entirely new story. Coupled with the sly jokes that are their titles, Danielle’s works attempt to transform the everyday into something a little more ridiculous. Danielle is also the writer behind the contemporary art site, The Jealous Curator, and the author of “Creative Block”, “Collage”, “Your Inner Critic Is A Big Jerk”, “A Big Important Art Book – Now With Women”, and “A Big Important Artist – A Womanual”. Her work is held in private collections in Canada, The United States, Europe and Asia.
Art at Augsburg: Works by Faculty, Past and Present
January 13–February 18, 2020
March 2–15, 2020
between lost and found
October 24-December 18, 2019
SOOMAAL FELLOWSHIP EXHIBITION – 2019
Soo Bood, Bood / Come Jump, Jump – Kaamil A. Haider
August 1 – 29, Gage Gallery
Artists Talk & Reception: August 17, 2019, 6pm, Gage Family Art Gallery
Soo Bood, Bood / Come Jump, Jump is a multi-channel video installation that uses traditional Somali dance as its starting point. The work examines the internal environment and logic of dance and its accompanying elements of movements and sound. Dance, as in all cultures, particularly in this Somali cultural context, call for many reasons, e.g., celebration, social connection, and self expression. This installation offers varied vignettes of the transformation and transcendence the body assumes as the dancers move, chant, clap and stomp in a unified frenzied rhythm.
In his practice, the artist’s engagement and preoccupation with rituals through repetition are related to his exploration of memory, archives and experiences of his community. Themes of discussion found in this installation, and in many other works by the artist, are constant discourse within the Somali diaspora communities such as the passage of knowledge, rituals and physical connection with their heritage as they forge a new life in their new homes.
Kaamil A. Haider is Somali born visual artist and graphic designer based in Minneapolis. He has received his B.F.A. in Graphic Design at the College of Design, University of Minnesota. In his art practice, Kaamil considers the power of memory and archives in relation to his personal experiences and that of his larger community. With over a dozen exhibitions, themes of discussion found in his artworks are constant discourse within the Somali diaspora communities such as the passage of knowledge, rituals and physical connection with their heritage as they forge a new life in their receiving societies.
In addition, Kaamil is a co-founder of Soomaal House of Art, a Minneapolis based Somali artists collective supporting a growing number of emerging and established Somali artists living in Minnesota and beyond. He is the recipient of the 2018 University of Minnesota Alumni Association’s U40 Alumni Leader Award for his academic achievement and community engagement through Soomaal. Kaamil is one of the two 2019 Soomaal Fellows, an initiative by Soomaal House of Art and in partnership with Augsburg University Art Galleries. He is also a 2019 Springboard for the Arts’ 20/20 Artist Fellow.