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Miel y Petróleo – Jonathan Herrera

Miel y Petróleo / Honey & Gasoline – Jonathan Herrera Soto

October 24–December 18

Reception: October 24, 6-8 p.m.


Herrera Soto explores various relationships between collective memory and historical instances of state-sponsored violence and trauma inflicted on politicized bodies. He constructs print-based objects, installations, and environments that echo lived experiences of those who are no longer with us. Print-based processes translate the content through symbolically revealing the act of remembering in producing tracings and impressions.
 
Miel y Petróleo / Honey & Gasoline is a collection “Love Poems.” The project in the exhibition consists of a daily exercise in analyzing and questioning notions of love in relation to political violence. As a work of para-fiction, “Love Poem” series shifts between various narratives, jumping to and from various forms of visual languages such as abstract rubbings, text, and images. Herrera Soto uses these compositions to work through his own notions of love in his personal life with family members, romantic partners, beloved friends, and the trauma he observes in his subject matter. The work crystallizes his perception of being intertwined and bound to his subject matter, unable to discern where the work starts and he begins.

Danielle Krysa

“as she turned tumors into treasures, she couldn’t help but wonder – do goldfish feel this naked?”– Danielle Krysa

March 12–May 8, 2020

Christensen Gallery: 720 22nd Ave S, Mpls, MN


“How to Stop Being Creative: Excuses, Doubt, and Other Junk”
Talk with Danielle Krysa

Weisman Art Musuem: April 8, 7 p.m.

Reception and book signing following the talk. Books on sale in the WAM Shop. Talk is FREE but reservations required. Reserve your seat here!


Fiona & Leona, Farrah, Fawna & Launa – all of them are feminine, beautiful, and a hot mess.

Eight out of ten women will have to share their bodies with uterine cysts and or fibroids at some point in their lives. I am one of those women. I have spent years battling these ugly lumps that continue to grow inside of me. What to do? Exactly what I did with jealousy when I decided to start my art site, The Jealous Curator – instead of allowing these masses to cause anxiety and upset, I flipped the narrative and have embraced them instead. While I await yet another major surgery, I am choosing to envision them – through portraiture – as beautiful, crystal-covered, pink treasures that I’m currently housing. These abstract portraits are not only made up of paint and found images, but also crystals, random objects from the bottom of jewelry boxes, and piles of vintage costume jewelry. Yes, this will be the most sparkly silver lining possible!

Several of the pieces will be hung in the gallery, with spaces for three more to come. I will be using the gallery as a studio, turning tumors into treasures as people stroll past (or stop to watch) on the other side of the glass. This is the most vulnerable work I’ve done to date, so being in a totally vulnerable situation also seems right. Terrifying, but right.

Bio

Danielle Krysa is a Canadian artist with a BFA in Visual Arts and a post-grad degree in design. Her combination of found imagery and carefully manipulated strokes of paint create an entirely new story. Coupled with the sly jokes that are their titles, Danielle’s works attempt to transform the everyday into something a little more ridiculous. Danielle is also the writer behind the contemporary art site, The Jealous Curator, and the author of “Creative Block”, “Collage”, “Your Inner Critic Is A Big Jerk”, “A Big Important Art Book – Now With Women”, and “A Big Important Artist – A Womanual”.  Her work is held in private collections in Canada, The United States, Europe and Asia.

The Jealous Curator


 

 

Nightfall – Shannon Estlund

Nightfall

March 2–April 2, 2019

Reception: March 5, 6–8 p.m.


The artwork that makes up the series Nightfall explores the forest at night in order to better understand the life of the forest, especially in the (relative) absence of human interference. These quiet observations of the interconnected activities and processes of the nighttime forest aim to invite the viewer into a sense of entanglement and belonging with these natural spaces.

 

Artist Statement

My abstracted landscapes are inspired by Rice Creek and the surrounding forest and suburbs near my home in Fridley, Minnesota. The subjects of my paintings – including downed trees, stagnant pools, and tangles of brush – demonstrate growth, decay, and various states in-between. I use overlapping imagery, expressive color, repeating pattern, and abstracted form as a metaphor for a subjective and ever-changing perception of reality. Viewpoints are chosen to create an experience of “being there” for the viewer. Shadow, light, and pattern obstruct or complicate a descriptive understanding of these places. Instead, the paintings offer a psychological interpretation of each chosen site, illustrating an appreciation for the impermanent and interdependent nature of things.

 

Bio

Shannon Estlund is an artist and educator living in Fridley, MN with her husband and two daughters. She holds a Master of Fine Arts in Visual Studies from the Minneapolis College of Art and Design and received her B.F.A. from the University of Florida. Shannon has received several grants for her work including several Minnesota State Arts Board Artist Initiative grants and two Community Foundation Art Ventures grants in her native Florida. She has exhibited her work nationally and internationally at museums and galleries including the Crisp Ellert Art Museum (FL), the Elmhurst Art Museum (IL), Soo Visual Art Center (MN), the Cummer Museum of Art and Gardens (FL), and at the National Galleries of Scotland. Her work has been featured in New American Paintings and Studio Visit magazines. Shannon is a current member of the collective Rosalux Art Gallery in Minneapolis.


 

between lost and found – Lyz Wendland

between lost and found

October 24-December 18

Reception: October 24, 6-8p.m., Gage Gallery


Wendland’s brightly colored, mixed media paintings set up conflicts between contradictory shapes, encouraging an encounter and awareness to these relationships in our landscape.

 

Artist Statement

Collecting from the natural world and influence of architecture, my work explores the abstract gestures beneath the organic and structural. My relationship to our ever-shifting landscape fuels my current practice. I observe my presence to these spaces through sketching from observation. Elements of these sketches lead to my larger works, a layered process of painting utilizing acrylic and gouache on paper and duralar. Pinned layers of floating strokes create multiple layers for interaction.

Grounded in an interplay of color and shape, a visual language between two-dimensional and three-dimensional segments is formed.  My work sets up conflicts between contradictory shapes, encouraging an encounter and awareness to these relationships in our landscape.

By recalling my encounters, the work assembles momentary glimpses and memories of landscape in space.  Through these explorations, the work confronts viewers’ assumptions about space and place, while casting familiar landscapes into new contexts.

 

Bio

Lyz Wendland is a visual artist living and working in Stillwater, Minnesota. She received her MFA from the Minneapolis College of Art and Design and her BFA in drawing, painting and art history from Minnesota State University, Mankato. Her work has been exhibited in galleries and museums regionally and nationally. Lyz has been the recipient of a Jerome Foundation Project Grant and a Minnesota State Arts Board Artist Initiative Grant. She has received numerous faculty development grants and awards for her research on improving participation, critical thinking and motivation relating to art critiques in studio courses. Currently, Lyz is Assistant Professor of Art at Augsburg University in Minneapolis, Minnesota teaching drawing, painting and design.


 

Soo Bood, Bood / Come Jump, Jump – Kaamil A. Haider

SOOMAAL FELLOWSHIP EXHIBITION – 2019

Soo Bood, Bood / Come Jump, Jump – Kaamil A. Haider


August 1 – 29, Gage Gallery

Artists Talk & Reception: August 17, 2019, 6pm, Gage Family Art Gallery


Artist Statement

Soo Bood, Bood / Come Jump, Jump is a multi-channel video installation that uses traditional Somali dance as its starting point. The work examines the internal environment and logic of dance and its accompanying elements of movements and sound. Dance, as in all cultures, particularly in this Somali cultural context, call for many reasons, e.g., celebration, social connection, and self expression. This installation offers varied vignettes of the transformation and transcendence the body assumes as the dancers move, chant, clap and stomp in a unified frenzied rhythm.

In his practice, the artist’s engagement and preoccupation with rituals through repetition are related to his exploration of memory, archives and experiences of his community. Themes of discussion found in this installation, and in many other works by the artist, are constant discourse within the Somali diaspora communities such as the passage of knowledge, rituals and physical connection with their heritage as they forge a new life in their new homes.

Bio

Kaamil A. Haider is Somali born visual artist and graphic designer based in Minneapolis. He has received his B.F.A. in Graphic Design at the College of Design, University of Minnesota. In his art practice, Kaamil considers the power of memory and archives in relation to his personal experiences and that of his larger community. With over a dozen exhibitions, themes of discussion found in his artworks are constant discourse within the Somali diaspora communities such as the passage of knowledge, rituals and physical connection with their heritage as they forge a new life in their receiving societies.

In addition, Kaamil is a co-founder of Soomaal House of Art, a Minneapolis based Somali artists collective supporting a growing number of emerging and established Somali artists living in Minnesota and beyond. He is the recipient of the 2018 University of Minnesota Alumni Association’s U40 Alumni Leader Award for his academic achievement and community engagement through Soomaal. Kaamil is one of the two 2019 Soomaal Fellows, an initiative by Soomaal House of Art and in partnership with Augsburg University Art Galleries. He is also a 2019 Springboard for the Arts’ 20/20 Artist Fellow.

 


 

GOING DOWN SOUTH by MAX BRAY

Going Down South:
Music and Cultural Production on the Mississippi River

SEPTEMBER 10 – 27, 2018

Christensen Center – Gallery 720

Artist Talk: Thursday, September 27, 5:30 – 7 p.m. Christensen Center – Gallery 720

We often think of water as a resource, and the river as a tool that aids us in production and industry––barges loaded with cargo traveling from the Great Lakes region to the Delta. But the Mississippi River has also proven to be one of our most potent sources of cultural production. Along its banks, through each state it touches, artists influenced by the river have created some of America’s most powerful and timeless music.

THE ILLUSION OF LIFE by KOLE STILLWELL

APRIl 9 – 19, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, April 19, 5:30 – 7 p.m. Christensen Center Student Art Gallery

The Illusion of life mixes acrylic paint with digital art, analyzing how storytelling can be the means to better understanding the human condition.

Statement

Famed director, illustrator, animator Hayao Miyazaki suggests ( in the article The idea-the origin of everything) that a story doesn’t truly start with a story being made, it begins with the experiences we have stored up in our lives. “ The stories and original work- even initial project planning-are only triggers.Inspired by that trigger, what rushes forth from inside you is the world you have already drawn inside yourself, the many landscapes you have stored up, the thoughts and feelings that seek expression.”

Kohba merges digital illustration and design to express the emotions that defined the estrangement from my father. The story follows Kohba, A young wolf cub, who in the midst of being deserted by his father, must decide if he will fall into anger or accept the reality of what has come to be. Dealing with themes of abandonment, anger and regret, this body of work uses, color, landscape and character to explore the flaws of the human condition while also showing storytellings significance as a form of expression and communication in society.


DESIRE TO EXPLORE by KEEYONNA FOX

MARCH 26 – APRIL 5, 2018

Christensen Center Student Art Gallery

Artist Talk: Thursday, April 5, 5:30 – 7 p.m. Christensen Center Student Art Gallery

Desire to Explore is a series of digital collages that invite the viewer to examine daily busyness. By exploring regular routine, Fox asks if there is more to life than the schedules we create.

Statement

Through reflection and making these pieces, I began to see the routine of life that can put restrictions on new experiences. Exploration starts a journey one may take to an unfamiliar place or a familiar place they have been but didn’t explore and learn from those experiences. The range of ideas flows naturally based on past and present events. These events are created by cultural knowledge of what is going on in today’s society or what has happen in the past.  As I began preparing for this show, I came up with so many ideas that they could not all be expressed in one show. I didn’t know what I would do or how it was going to happen, but suddenly it hit me like a burst of water hitting my face as I got ready for the day. Everyone has a routine in the morning to start the day. This routine of work, school, social media, and entertainment are what I think of as busywork or distractions for today’s society; it is something we consume regularly. You may not know whom to blame, but it has been regularly becoming more ingrained for decades and will be an ongoing practice that frankly will be hard to break. As I look at my work, I notice my pieces reflect what is happening or what happened in my life whether it was with my own experience or listening and learning from others. This time around, I wanted to change; I wanted to look at what could be possible, to see what we as humanity could do without an institutionalizing society. I desire to explore more.

I have been drawing for as long I can remember. I would even draw my favorite cartoon characters with my little brother. Throughout my life, I have wondered. My wonders became daydreams and my daydreams became reflections. As I get older, these became my art pieces. DESIRE TO EXPLORE has been my favorite wondering. I wondered what life would be like if no one had to work or attend school; what would society look like? What kind of person will I be? Although I know I am hardworking and I do love school and work, I question if there is more? One day knowing I could leave and walk without a location in mind would be a dream come true. As I walk, I would begin an authentic journey learning about today’s society. I would not only learn something new about myself but also about the environment, the human condition, and how everything connects. I feel I would begin a journey connecting with the earth using my senses to explore the universe. I remember as a kid looking at the lines in the blinds. They appeared to be moving or lying on the ground, and, as I looked up into the sky, I began to feel as if I was floating. DESIRE TO EXPLORE is a series of digital collages that reflect my longing to capture my senses and walk into the universe using photography and drawings. However, DESIRE TO EXPLORE isn’t just for me. It questions the sense of reality and if there are multiple realities to explore.  A reality where people might find their true selves and connect to the universe.