April 8-May 9, 2019 – Christensen Gallery
They/Them Project interviews non binary individuals, offering a platform for them to be seen and heard, while informing and educating everyone on how words and actions affect the Trans+ community.
SOOMAAL FELLOWSHIP EXHIBITIONS – 2019
August 1 – 29, 2019 – Gage & Christensen Gallery
Soomaal House of Art (Soomaal) is a Minnesota-based Somali art collective that provides studio space, studio critiques, artistic community, mentorships for younger Somali artists and an annual exhibition space with educational programming.
Soomaal House of Art provides a platform for Somali visual artists who want to create and use art to shape and frame critical discourse around vexing local and global issues of our time. Moving forward, we hope the collective action of this group will lead to sustained partnerships with Minnesota institutions and, together, inspire more Minnesotans, especially Somali Minnesotans, to harness the power of art as a tool for intellectual and civic engagement.
slo/Roll – JIM SHROSBREE
March 1-30, 2019 – Gage Gallery
NCECA: March 26–30
Reception: March 28
This recent series of idiosyncratic sculpture and works on paper by Jim Shrosbree continues the artist’s ongoing investigation and use of abstraction to permeate humanistic experience. The title infers a set of actions that are both playful and vital, consciously defining and alerting us to their call.
Temporal Patterns – JULIANE SHIBATA
January 14 – February 20, 2019 – Christensen Gallery
Reception: Thursday, January 17, 6-8 p.m
Integrating real flowers with ceramic ones, Shibata explores the ephemeral in a large-scale installation representing the four seasons. She engages with the historical and cultural meanings of particular flowers and celebrates both ornamental and time-based patterns encountered throughout life.
Juliane received her MFA in Ceramics from Bowling Green State University, having previously graduated from Carleton with a BA in Studio Art. She has taught at Carleton College in Northfield, Minnesota and Hope College in Holland, Michigan. She was selected as a 2016 Emerging Artist by Ceramics Monthly and has been an artist in residence at the Appalachian Center for Craft in Tennessee and The Pottery Workshop in Jingdezhen, China. Juliane received 2018 and 2014 Artist Initiative grants from the Minnesota State Arts Board and her work belongs to the permanent collection of Northern Arizona University’s Art Museum and the Brown-Forman Collection.
This year, her work was included in exhibitions at the Milwaukee Institute of Art and Design, the Perlman Teaching Museum at Carleton College, Raymond Avenue Gallery, Inver Hills Community College, and KOBO Gallery in Seattle. In March 2019, Juliane’s work will be featured in four exhibitions that coincide with the National Council on Education for the Ceramic Arts conference in Minneapolis.
Juliane Shibata is a fiscal year 2018 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.
Above Image: …vita brevis (detail) 2017, Porcelain and real carnations
Photo credit: Eric Mueller
SORTA LIKE CONVERATION – ADAM WHITE
November 1 – December 14, 2018 – Christensen Gallery
Reception: Thursday, November 1, 6-8 p.m
Adam White’s installation work uses altered comic book story narrative, by way of dialogue bubbles, to represent the wave of information we constantly process from day to day. Thrown out of context by removing the comic imagery, the remaining dialogue can only hint at a larger story, unable to provide the full narrative.
Adam White is an artist living and working in St. Paul, Minnesota. In 2007 he received a Master of Fine Art with a focus on Installation and Paper Sculpture from the University of Maryland, College Park, and in 2004 a Bachelor of Fine Art in Painting and Drawing from the University of Tennessee at Chattanooga. He has exhibited work in Minneapolis/St. Paul, Detroit, Philadelphia, Baltimore, Washington DC, and New York City.
His current studio work uses altered comic book story narrative, by way of dialogue bubbles, to represent the wave of news or personal information we constantly process from day to day. Thrown out of context by removing the comic imagery, the remaining dialogue can only hint at a larger story, unable to provide the full narrative. The work, composed of thousands of overlaid paper word bubbles, varies between medium to large scale wall installations.